Khamsa, the number five in Arabic, a reference to the five fingers of the hand, is repeated three times as a protective mantra. This work is a visual autobiography in the form of a family archive. With its intermittent portraits of friends and domestic tableaux, the work focuses on five main protagonists: her sisters Sara and Nina, her brothers Michael and Jonathan, and Julia, the fifth sibling whose presence is projected on them from behind her lens.

To begin with Julia Gat tells the stories of childhood and teenage years growing up with her four brothers and sisters, schooled outside any education system via alternative teaching methods. Through images of what is essentially a family album, the artist developed her own distinct photographic approach. As she observes the faces of friends and family around her, their changing bodies and the beautiful Mediterranean landscapes, Julia Gat tells her story.

For the artist, documenting her daily life created a breadcrumb trail via which, from the maturity of adulthood, she has been able to stay in touch with her childhood sensibilities: "When I was 10, I promised myself I'd never forget how a child sees the world: everything is fresh and new, the imagination blurs with reality and the unknown is fascinating."

"Khamsakhamsakhamsa is an invitation to bring a new sense of freedom to the process of learning, a blessing for which I am grateful."

At a time when home-learning is regulated by government policies, Julia Gat's first work is a tribute to a different form of education based on experimentation and the importance of allowing early artistic expression to flourish. The artist's work is a candid portrait of her upbringing and reveals a talent openly embracing the freedom to tell her own story.

Born in 1997, Julia Gat is a photographer based in Marseille. At the intersection between documentary and portraiture, her work explores human interaction in its purest form. Exhibited at the Netherland's Museum of Photography (2021-2022), the Khamsakhamsakhamsa won the ISEM Young photographer prize (2020) and the visitor's Steenbergen Stipendium prize (2021).

21st Century History

The Times Lives Behind the Music: Era-defining obituaries of rock and

Archive of Unknown Universes: a literary debut about family, history

Cacophony of Bone

Gaddafi's Harem: The Story of a Young Woman and the Abuses of Power in

The Monster of Harrods: Al-Fayed and the secret, shameful history of a

Righting Wrongs: Three Decades on the Front Lines Battling Abusive

The Making of Modern Australia

Licensed to Lie

Khamsa khamsa khamsa

The Economic Consequences of Mr Trump: What the Trade War Means for

Rising Star: The Making of Barack Obama

Old Friends